Albanie Falletta) (2:36) – written by Armand J. Paul: In the “cry in your beer” country weeper tradition, I designed it to bring a tear to a glass eye. You’ll smell the sage brush, and feel the warm wind blow as you bask in this melody. Vi: Paul channeled the spirit of a western desert when he wrote this tune.
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It takes us back to a time before mobile phones, internet, color TV and space launches. (The Stompers are an impromptu ragtag band that regularly performs on the Weiser stage.) Ben Fox – a hustling New Orleans sideman on just about every instrument you can imagine – rounds out the quartet on upright bass.Īs smokin’ hot as the instruments might be – and make no mistake, Wickam and Anastasio are tearing it up on this album – the real star is the music itself.įrom the classic depression-era backwoods optimism of Blue Skies to the big city jump-jive jam of Hez, every track on this album is a balm for virus-weary souls. They are joined on the album by the lovely voice of Albanie Falletta, one of the Stickerville Stompers. Paul and Vi recorded at the legendary Studio Savoyfaire with Grammy winning engineer, Joel Savoy. The three of them – Paul, Vi and Evan – thought the best way to showcase those extraordinary instruments was with a fiddle duo album. But he lives in a small town in rural Idaho where there aren’t many violin buyers. It was at Weiser in 2017 that Paul roped Vi into this project, (quite willingly of course.) Paul and Vi have long been fans of Evan Smith’s violins. But covid-19 cancelled the festival for 2020.
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The National Old Time Fiddle Contest and Festival has been held the 3 rd full week of June in Weiser for more than 50 years.
All of the “wild children” of Weiser hang out making music until the wee hours of the morning – sometimes until the sun comes back up. Those Stickerville jam sessions are legendary in the Weiser community. The two became fast friends, sharing swing jam sessions in Stickerville at the Weiser National Old-Time Fiddle Contest and Festival. Paul and Vi first met when Wickam was a teenage fiddling phenom and Anastasio had ended a long stretch playing as Merle Haggard’s fiddler. Smith loaned each fiddler one of his custom violins for the album, and both made the most of the opportunity. The album – from fiddle duo Vi Wickam & Paul Anastasio – was conceived as a showcase for the extraordinary custom violins made by Idaho luthier Evan Smith.
“ Cathy Finkįrom the first tempting tones of Hez on Swinging at the Savoy, you’ll be seized by an urge to don my wide-lapel sharkskin suit, doff a broad-brim fedora and lounge around under streetlights tossing half-dollars into the air. Vi Wickam has the swing, the class and the panache to pull this off beautifully. “…world class musicianship, fabulous repertoire and clear musical camaraderie make this album a total delight to listen to.
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A throwback with a license to thrill… it pops, sizzles and swings! Your ears will thank you.” Reggie Harris
“…as tasty a blend of musicianship, chemistry and charm, from start to finish, as I’ve come across in a while.
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